Techne theory : a new language for art
Art Creative ability
Bloomsbury Academic
2019
EISBN 1472592921
Cover.
Half Title.
Dedication.
Series Page.
Title Page.
Contents.
Acknowledgements.
Part One Fundamentals.
Chapter One The techne standpoint.
Chapter Two Art and evolution.
Evolution of the work of art.
Production according to techne.
Hadamard's essay.
Creation and the 'combination of ideas'.
Chapter Three The artist's touch.
The artist's touch.
Intuiting the techne-limit.
Techne-in-general.
Part Two Greek origins.
Chapter Four How Plato (despite himself) invented techne theory.
Techne and physis.
Looking towards the form.
The doctrine of use.
Chapter Five From Aristotle to extended mind.
Those stubborn forms.
Soul, hand, tool.
The birth of tragedy, according to Aristotle.
Techne in an archaeological light.
Flexible forms.
Part Three Where do poems come from?.
Chapter Six A Romantic view: Seamus Heaney.
The unresolved puzzle.
Inseminating the poem-egg.
The example of Wordsworth.
Earthworm knowledge.
Chapter Seven Excursus on language.
Chapter Eight An anti-Romantic view: Paul Valéry.
Musicalized states and dreamsongs.
Intrasomatic inspiration.
Slow and quick creation.
Interior universes.
Part Four Studies in modernist techne.
Chapter Nine T. J. Clark's Picasso.
The road to Guernica.
Integration of the outside.
The culminating challenge.
The movement towards form.
Chapter Ten What's radical about radical painting?.
Deducing the functional essence.
The importance of Ryman.
How Marioni does it.
The body of light.
Intimate relations.
Chapter Eleven The techne of Kafka's Metamorphosis.
The narrative voice.
Gregor's voice, or narrator's voice?.
Gregor and his family.
The judgment.
The unknown nourishment.
Part Five Techne metatheory.
Chapter Twelve Universal design space and the lines of force.
Emergent design.
Adjacency in design space.
Lines of force.
Finding 'join'.
Situated subjects in technosocial design space.
Self-organizing forms.
Index.
Copyright Page.
Half Title.
Dedication.
Series Page.
Title Page.
Contents.
Acknowledgements.
Part One Fundamentals.
Chapter One The techne standpoint.
Chapter Two Art and evolution.
Evolution of the work of art.
Production according to techne.
Hadamard's essay.
Creation and the 'combination of ideas'.
Chapter Three The artist's touch.
The artist's touch.
Intuiting the techne-limit.
Techne-in-general.
Part Two Greek origins.
Chapter Four How Plato (despite himself) invented techne theory.
Techne and physis.
Looking towards the form.
The doctrine of use.
Chapter Five From Aristotle to extended mind.
Those stubborn forms.
Soul, hand, tool.
The birth of tragedy, according to Aristotle.
Techne in an archaeological light.
Flexible forms.
Part Three Where do poems come from?.
Chapter Six A Romantic view: Seamus Heaney.
The unresolved puzzle.
Inseminating the poem-egg.
The example of Wordsworth.
Earthworm knowledge.
Chapter Seven Excursus on language.
Chapter Eight An anti-Romantic view: Paul Valéry.
Musicalized states and dreamsongs.
Intrasomatic inspiration.
Slow and quick creation.
Interior universes.
Part Four Studies in modernist techne.
Chapter Nine T. J. Clark's Picasso.
The road to Guernica.
Integration of the outside.
The culminating challenge.
The movement towards form.
Chapter Ten What's radical about radical painting?.
Deducing the functional essence.
The importance of Ryman.
How Marioni does it.
The body of light.
Intimate relations.
Chapter Eleven The techne of Kafka's Metamorphosis.
The narrative voice.
Gregor's voice, or narrator's voice?.
Gregor and his family.
The judgment.
The unknown nourishment.
Part Five Techne metatheory.
Chapter Twelve Universal design space and the lines of force.
Emergent design.
Adjacency in design space.
Lines of force.
Finding 'join'.
Situated subjects in technosocial design space.
Self-organizing forms.
Index.
Copyright Page.
