Plato's styles and characters : between literature and philosophy
Plato,
De Gruyter
2016
EISBN 9783110444032
Plato's Literary Style.
Beyond Language and Literature.
The Three Waves of Dialectic in the Republic.
Plato's Unfinished Trilogy: Timaeus-Critias-Hermocrates.
The Myth of the Winged Chariot in the Phaedrus: A Vehicle for Philosophical Thinking.
Perspectivism, Proleptic Writing and Generic agón: Three Readings of the Symposium.
Plato's Argumentative Strategies in Theaetetus and Sophist --"Reading Plato's Sophist".
Other Genres and Traditions.
Detailed Completeness and Pleasure of the Narrative. Some Remarks on the Narrative Tradition and Plato.
The meeting scenes in the incipit of Plato's dialogue.
The Philosophical Writing and the Drama of Knowledge in Plato-- Comic Dramaturgy in Plato: Observations from the Ion.
Amicus Homerus: Allusive Art in Plato's Incipit to Book X of the Republic (595a-c).
Performance and Elenchos in Plato's Ion.
Plato and the Catalogue Form in Ion- Orphic Aristophanes at Plato's Symposium-- Socrates as a physician of the soul.
The Style of Medical Writing in the Speech of Eryximachus: Imitation and Contamination.
Gorgias, the eighth orator. Gorgianic echoes in Agathon's Speech in the Symposium.
Plato's Phaedrus: A Play Inside the Play.
Plato's Characters.
He longs fo rhim, he hates him and he wants him for himself: The Alcibiades case between Socrates and Plato.
Five platonic characters.
Who is Plato's callicles and what does he teach?.
Doing business with Protagoras (Prot. 313e): Plato and the construction of a character.
Theaeteus and Protarchus: two philosophical charcters or what a philosophical soul should do.
The role of Diotima in the Symposium: the dialogue and its double.
Beyond Language and Literature.
The Three Waves of Dialectic in the Republic.
Plato's Unfinished Trilogy: Timaeus-Critias-Hermocrates.
The Myth of the Winged Chariot in the Phaedrus: A Vehicle for Philosophical Thinking.
Perspectivism, Proleptic Writing and Generic agón: Three Readings of the Symposium.
Plato's Argumentative Strategies in Theaetetus and Sophist --"Reading Plato's Sophist".
Other Genres and Traditions.
Detailed Completeness and Pleasure of the Narrative. Some Remarks on the Narrative Tradition and Plato.
The meeting scenes in the incipit of Plato's dialogue.
The Philosophical Writing and the Drama of Knowledge in Plato-- Comic Dramaturgy in Plato: Observations from the Ion.
Amicus Homerus: Allusive Art in Plato's Incipit to Book X of the Republic (595a-c).
Performance and Elenchos in Plato's Ion.
Plato and the Catalogue Form in Ion- Orphic Aristophanes at Plato's Symposium-- Socrates as a physician of the soul.
The Style of Medical Writing in the Speech of Eryximachus: Imitation and Contamination.
Gorgias, the eighth orator. Gorgianic echoes in Agathon's Speech in the Symposium.
Plato's Phaedrus: A Play Inside the Play.
Plato's Characters.
He longs fo rhim, he hates him and he wants him for himself: The Alcibiades case between Socrates and Plato.
Five platonic characters.
Who is Plato's callicles and what does he teach?.
Doing business with Protagoras (Prot. 313e): Plato and the construction of a character.
Theaeteus and Protarchus: two philosophical charcters or what a philosophical soul should do.
The role of Diotima in the Symposium: the dialogue and its double.
