Notes from the Metalevel : an Introduction to Computer Composition
Computer composition Computer music Electronic music
Taylor and Francis
2013
EISBN 9781134381388
Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; Preface; Chapter 1 Introduction; Chapter 2 The Language of Lisp; Chapter 3 Functions and Data; Chapter 4 Etudes, Op. 1: The Lisp Listener; Chapter 5 Lisp Evaluation; Chapter 6 The Art of Lisp Programming; Chapter 7 Etudes, Op. 2: Musical Math; Chapter 8 Iteration and the Loop Macro; Chapter 9 Etudes, Op. 3: Iteration, Rows and Sets; Chapter 10 Parameterized Sound Description; Chapter 11 Metastructure for Composition; Chapter 12 Etudes, Op. 4: Score Generation; Chapter 13 Algorithms and Processes.
Chapter 14 Etudes, Op. 5: Steve Reich's Piano PhaseChapter 15 Microtonality, Tunings and Modes; Chapter 16 Mapping; Chapter 17 Etudes, Op. 6: Sonification of Chaos; Chapter 18 Randomness and Chance Composition; Chapter 19 Markov Processes; Chapter 20 Patterns and Composition; Chapter 21 Etudes, Op. 7: Automatic Jazz; Chapter 22 Etudes, Op. 8: An Algorithmic Model of György Ligeti's Désordre; Chapter 23 Spectral Composition; Chapter 24 Beyond MIDI; Subject index.
First published in 2005.
Chapter 14 Etudes, Op. 5: Steve Reich's Piano PhaseChapter 15 Microtonality, Tunings and Modes; Chapter 16 Mapping; Chapter 17 Etudes, Op. 6: Sonification of Chaos; Chapter 18 Randomness and Chance Composition; Chapter 19 Markov Processes; Chapter 20 Patterns and Composition; Chapter 21 Etudes, Op. 7: Automatic Jazz; Chapter 22 Etudes, Op. 8: An Algorithmic Model of György Ligeti's Désordre; Chapter 23 Spectral Composition; Chapter 24 Beyond MIDI; Subject index.
First published in 2005.
