Local and global understandings of creativities : multipart music making and the construction of ideas, contexts and contents
Folk music Music Part songs MUSIC / Genres & Styles / Classical MUSIC / Reference Criticism, interpretation, etc sähkökirjat Creation (Literary, artistic, etc.)
Cambridge Scholars Pub.
2013
EISBN 9781443852159
TABLE OF CONTENTS; ACKNOWLEDGEMENTS; PREFACE; PART I; MULTIPART DRINKING (AND SINGING); PART II; PART II.1; SECONDARY ORALITY AND CREATIVITYPROCESSES IN MULTIPART SINGING; IN QUEST OF COMMUNION; ON MUSICAL CREATIVITYIN "TEXT-ORIENTED" SONG TRADITIONS; PRODUCTION AND PROCESS; MULITPART SINGING, MULTILINGUALISMANDMEDIATIZATION; WAITING FOR THE SEA TO DRY UP; PART II. 2; FEMALE POLYPHONYIN NORTHERN PORTUGAL; CONSTRUCTING COMMUNAL ACTION; FROMMONODY TO POLYPHONY; TWO PART SINGING IN PARALLELIN ROMAGNA; MICROCREATIVITY
DIMENSIONS OF CREATIVITYIN THE DERIVATION, FORMATIONAND MODIFICATION OF MUSICAL PRACTICEMIKARAYAG; FOLK MUSIC REVIVAL IN ARGENTINA; PART III; BYZANTINE CHANT, THE ISON,AND ARBËRESH LITURGICAL CHANT; POLYPHONY OF VOICES IN JEWISHRELIGIOUS TRADITIONS; PART IV; MULTIPART SINGING IN LATVIANTRADITIONAL MUSIC; ROMANI SONGS AS INTANGIBLE CULTURALHERITAGE IN AUSTRIA; CONTRIBUTORS; LIST OF AUDIO EXAMPLES; INDEX
In music making ""in company"", the protagonists have to follow the rules of interaction and create the cohesion of ""being together"". At the same time, they try to promote personal goals that depend on specific personal treasure troves of experience. These are continuously being modified also as a result of the exchange between individuals. The perspective of the ""individuals in company"" leads the emphasis of the investigations to the ways in which the acts of performance, interpretation and lo...
DIMENSIONS OF CREATIVITYIN THE DERIVATION, FORMATIONAND MODIFICATION OF MUSICAL PRACTICEMIKARAYAG; FOLK MUSIC REVIVAL IN ARGENTINA; PART III; BYZANTINE CHANT, THE ISON,AND ARBËRESH LITURGICAL CHANT; POLYPHONY OF VOICES IN JEWISHRELIGIOUS TRADITIONS; PART IV; MULTIPART SINGING IN LATVIANTRADITIONAL MUSIC; ROMANI SONGS AS INTANGIBLE CULTURALHERITAGE IN AUSTRIA; CONTRIBUTORS; LIST OF AUDIO EXAMPLES; INDEX
In music making ""in company"", the protagonists have to follow the rules of interaction and create the cohesion of ""being together"". At the same time, they try to promote personal goals that depend on specific personal treasure troves of experience. These are continuously being modified also as a result of the exchange between individuals. The perspective of the ""individuals in company"" leads the emphasis of the investigations to the ways in which the acts of performance, interpretation and lo...
