Cultural Heritage Communities : Technologies and Challenges
Historic preservation--Technological innovations Electronic books.
Routledge
2018
1st ed.
EISBN 9781315522418
Cover-Page.
Half-Title.
Series.
Title.
Copyright.
Contents.
List of figures.
List of tables.
List of contributors.
Introduction.
1 Archaeological remote sensing: some engagement in Ireland.
Introduction.
Archaeological remote sensing techniques.
Remote sensing and a community museum.
Remote sensing by local heritage groups.
Remote sensing in schools.
Discussion.
Acknowledgements.
2 Online maker communities: craft and new spaces of engagement with cultural heritage.
Introduction.
Craft, communities and the ethos of making.
Virtual guilds of knitters, weavers and crocheters.
Craft and the space of engagement in the cultural heritage institution.
Conclusion.
Acknowledgments.
3 The Limerick dance halls project: the charm of discreet technology.
Introduction.
Context.
Methodology.
The Stella exhibition.
The charm of discreet technology.
Stationary vs. mobile reminiscing.
Discussion and future work.
4 Towards user engagement models for citizen science: initiatives in the digital cultural heritage domain.
Introduction.
User activities in citizen science and crowdsourcing.
Pilot on archaeology in rural Ireland.
Discussion.
Conclusion.
Acknowledgments.
5 Challenges in designing cultural heritage crowdsourcing: tools with indigenous communities.
Introduction.
Project background.
IKDC evaluation and data collection session.
Further system developments.
Challenges and lessons learned.
Conclusion.
6 How to get small museums involved in digital innovation: a design-inclusive research approach.
Introduction.
The small museum situation.
A design-inclusive experience research approach: The Mauritshuis.
Design-inclusive research approach for small museums.
Conclusion.
Acknowledgements.
7 Emotional connections with the past: exploring engagement with historical images from an online museum collection.
Introduction.
Designing interaction for museum collections.
Tools for multi-user communities.
Making sense in interactive environments.
Exploratory studies.
Discussion.
Future directions.
Acknowledgements.
8 Artcasting, mobilities, and inventiveness: engaging with new approaches to arts evaluation.
Introduction: artist rooms, communities and technology.
Introducing Artcasting.
Issues with arts evaluation.
Digital technology and "inventive problem-making".
Re-imagining evaluation through artcasting.
Conclusion.
9 Challenging political agendas through indigenous media: Hawai'i and the promotion and protection of cultural heritage.
Introduction.
Significant precursors to Native Hawaiian activism.
Historical issues.
Challenges of information transmission.
Technological change comes to Hawai'i.
Technology use by Hawaiian movements.
Mauna Kea and beyond.
Conclusion.
10 War at your doorstep: supporting communities discovering their local history via interactive technology.
Introduction.
The role of a historical museum in contemporary society.
Case studies of interactive technology for history storytelling.
Conclusion.
Acknowledgements.
Index.
Half-Title.
Series.
Title.
Copyright.
Contents.
List of figures.
List of tables.
List of contributors.
Introduction.
1 Archaeological remote sensing: some engagement in Ireland.
Introduction.
Archaeological remote sensing techniques.
Remote sensing and a community museum.
Remote sensing by local heritage groups.
Remote sensing in schools.
Discussion.
Acknowledgements.
2 Online maker communities: craft and new spaces of engagement with cultural heritage.
Introduction.
Craft, communities and the ethos of making.
Virtual guilds of knitters, weavers and crocheters.
Craft and the space of engagement in the cultural heritage institution.
Conclusion.
Acknowledgments.
3 The Limerick dance halls project: the charm of discreet technology.
Introduction.
Context.
Methodology.
The Stella exhibition.
The charm of discreet technology.
Stationary vs. mobile reminiscing.
Discussion and future work.
4 Towards user engagement models for citizen science: initiatives in the digital cultural heritage domain.
Introduction.
User activities in citizen science and crowdsourcing.
Pilot on archaeology in rural Ireland.
Discussion.
Conclusion.
Acknowledgments.
5 Challenges in designing cultural heritage crowdsourcing: tools with indigenous communities.
Introduction.
Project background.
IKDC evaluation and data collection session.
Further system developments.
Challenges and lessons learned.
Conclusion.
6 How to get small museums involved in digital innovation: a design-inclusive research approach.
Introduction.
The small museum situation.
A design-inclusive experience research approach: The Mauritshuis.
Design-inclusive research approach for small museums.
Conclusion.
Acknowledgements.
7 Emotional connections with the past: exploring engagement with historical images from an online museum collection.
Introduction.
Designing interaction for museum collections.
Tools for multi-user communities.
Making sense in interactive environments.
Exploratory studies.
Discussion.
Future directions.
Acknowledgements.
8 Artcasting, mobilities, and inventiveness: engaging with new approaches to arts evaluation.
Introduction: artist rooms, communities and technology.
Introducing Artcasting.
Issues with arts evaluation.
Digital technology and "inventive problem-making".
Re-imagining evaluation through artcasting.
Conclusion.
9 Challenging political agendas through indigenous media: Hawai'i and the promotion and protection of cultural heritage.
Introduction.
Significant precursors to Native Hawaiian activism.
Historical issues.
Challenges of information transmission.
Technological change comes to Hawai'i.
Technology use by Hawaiian movements.
Mauna Kea and beyond.
Conclusion.
10 War at your doorstep: supporting communities discovering their local history via interactive technology.
Introduction.
The role of a historical museum in contemporary society.
Case studies of interactive technology for history storytelling.
Conclusion.
Acknowledgements.
Index.
