Cultural Appropriation and the Arts
Arts - Moral and ethical aspects Arts -- Moral and ethical aspects Arts and society Arts Cultural property sähkökirjat
Wiley
2008
2nd ed.
EISBN 9780470693360
Cultural Appropriation and the Arts; Contents; Preface; 1 What Is Cultural Appropriation?; Art, Culture, and Appropriation; Types of Cultural Appropriation; What is a Culture?; Objections to Cultural Appropriation; In Praise of Cultural Appropriation; 2 The Aesthetics of Cultural Appropriation; The Aesthetic Handicap Thesis; The Cultural Experience Argument; Aesthetic Properties and Cultural Context; Authenticity and Appropriation; Authentic Appropriation; Cultural Experience and Subject Appropriation; Appropriation and the Authentic Expression of a Culture; 3 Cultural Appropriation as Theft
Art, Insignia, and Cultural IdentityCultural Appropriation and Privacy; 5 Profound Offence and Cultural Appropriation; Harm, Offence, and Profound Offence; Examples of Offensive Cultural Appropriation; The Problem and the Key to its Solution; Social Value and Offensive Art; Freedom of Expression; The Sacred and the Offensive; Time and Place Restrictions; Toleration of Offensive Art; Reasonable and Unreasonable Offence; Conclusion: Responding to Cultural Appropriation; Summing Up; Supporting Minority Artists; Envoy; Bibliography of Works Cited and Consulted; Index
Harm by TheftPossible Owners of Artworks; Cultures and Inheritance; Lost and Abandoned Property; Cultural Property and Traditional Law; Collective Knowledge and Collective Property; Ownership of Land and Ownership of Art; Property and Value to a Culture; Cultures and Intellectual Property; Some Conclusions About Ownership and Appropriation; The Rescue Argument; 4 Cultural Appropriation as Assault; Other Forms of Harm; Cultural Appropriation and Harmful Misrepresentation; Harm and Accurate Representation; Cultural Appropriation and Economic Opportunity; Cultural Appropriation and Assimilation
Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture)Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives riseTackles head on the thorny issues arising from the .
Art, Insignia, and Cultural IdentityCultural Appropriation and Privacy; 5 Profound Offence and Cultural Appropriation; Harm, Offence, and Profound Offence; Examples of Offensive Cultural Appropriation; The Problem and the Key to its Solution; Social Value and Offensive Art; Freedom of Expression; The Sacred and the Offensive; Time and Place Restrictions; Toleration of Offensive Art; Reasonable and Unreasonable Offence; Conclusion: Responding to Cultural Appropriation; Summing Up; Supporting Minority Artists; Envoy; Bibliography of Works Cited and Consulted; Index
Harm by TheftPossible Owners of Artworks; Cultures and Inheritance; Lost and Abandoned Property; Cultural Property and Traditional Law; Collective Knowledge and Collective Property; Ownership of Land and Ownership of Art; Property and Value to a Culture; Cultures and Intellectual Property; Some Conclusions About Ownership and Appropriation; The Rescue Argument; 4 Cultural Appropriation as Assault; Other Forms of Harm; Cultural Appropriation and Harmful Misrepresentation; Harm and Accurate Representation; Cultural Appropriation and Economic Opportunity; Cultural Appropriation and Assimilation
Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture)Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives riseTackles head on the thorny issues arising from the .
