Beethoven's Eroica : Thematic Studies
Beethoven, Ludwig van, Beethoven, Ludwig van, 1770-1827. Gescho p̈fe des Prometheus Beethoven, Ludwig van, 1770-1827. Symphonies, no. 3, op. 55, E? major MUSIC / Genres & Styles / Classical MUSIC / Printed Music / Choral sähkökirjat
Peter Lang GmbH, Internationaler Verlag der Wissenschaften
2012
EISBN 9783653023985
Cover; Table of Contents; Foreword; Preliminaries; I. Previous Hypotheses on the Subject of the Eroica; II. The Semantics of the Term "Eroica". The Categories drama eroico, ballo eroico and danza eroica; III. The Subject of Salvatore Viganò's Heroic Ballet ""The Creatures of Prometheus""; IV. Beethoven's Prometheus Music; 1. The Relation of the Individual Numbers to the Scenes of the Action; 2. The Music of the First Act; 3. The Music of the Second Act; Una danza eroica: "A martial scene" (No. 8); Una tragica scena: the Death of Prometheus (No. 9)
Una giuocosa scena: the Resurrection of Prometheus (Pastoral No. 10)The numbers 11-16; The Solos of the Creatures (Nos. 14 and 15); Danze festive: the Prometheus Finale (No. 16); V. The Genesis of the Eroica; VI. The Eroica in Its Relation to the Prometheus Music and Other Works; 1. Preliminaries; 2. Heroic Elements in the Opening Movement; 3. Una tragica scena: the Marcia funebre; 4. Una giuocosa scena: the Scherzo; 5. Danze festive: das Eroica Finale ("per festiggiare il sovvenire di un grand Uomo"); VII. The Titan Prometheus-Bonaparte as Viewed by Beethoven and His Time
VIII. On "Characteristic" InstrumentalWorks and Scenes in Beethoven's OeuvreAfterword; Appendix; Abbreviations; Notes; Selective Bibliography; 1. Documents; 2. Sketches; 3. Ballet History; 4. On the Ballet The Creatures of Prometheus; 5. On Beethoven in General; 6. Studies on the Eroica; 7. On Prometheus and the Subject of Bonaparte; 8. On the History of the Period; 9. On Beethoven Reception; 10. On the Music of the 19th Century; 11. Recent Studies (since 1978); Plates; Illustrations; Index
Una giuocosa scena: the Resurrection of Prometheus (Pastoral No. 10)The numbers 11-16; The Solos of the Creatures (Nos. 14 and 15); Danze festive: the Prometheus Finale (No. 16); V. The Genesis of the Eroica; VI. The Eroica in Its Relation to the Prometheus Music and Other Works; 1. Preliminaries; 2. Heroic Elements in the Opening Movement; 3. Una tragica scena: the Marcia funebre; 4. Una giuocosa scena: the Scherzo; 5. Danze festive: das Eroica Finale ("per festiggiare il sovvenire di un grand Uomo"); VII. The Titan Prometheus-Bonaparte as Viewed by Beethoven and His Time
VIII. On "Characteristic" InstrumentalWorks and Scenes in Beethoven's OeuvreAfterword; Appendix; Abbreviations; Notes; Selective Bibliography; 1. Documents; 2. Sketches; 3. Ballet History; 4. On the Ballet The Creatures of Prometheus; 5. On Beethoven in General; 6. Studies on the Eroica; 7. On Prometheus and the Subject of Bonaparte; 8. On the History of the Period; 9. On Beethoven Reception; 10. On the Music of the 19th Century; 11. Recent Studies (since 1978); Plates; Illustrations; Index
